The word ‘miang’ is often used to designate Thai hors d’oeuvre-like snacks consisting of various ingredients wrapped in leaves. To chew on a miang parcel delivers a delightful melee of flavors and textures, each triumphing over the other in a continuous transformation, creating a captivating and ever-evolving taste experience throughout the bite.
Miang sot is a fermented leaves dish that appeared in a cookbook published in honor of Thao Suphatigaanapakdee (also known as Prik Sirisamphan) (ท้าวสุภัติการภักดี (ปริก ศิริสัมพันธ์)), in 1928. Titled Gap Khaao Thai (กับข้าวไทย), the book features a collection of recipes that were once prepared and served to King Chulalongkorn Rama V. The author, Sohmboon Sirisamphan (เถ้าแก่ สมบุญ ศิริสัมพันธ์) a respected elder (known as thao gaae (เถ้าแก่) in Thai), was a distinguished businessman of Chinese origins.
The dish is composed of fermented tea leaves; it is perhaps the closest tea leaves wrap to the ‘miang’ style introduced to the Siamese court by Princess Dara Rasami in the late 1800s. The dish gives us a glimpse of flavor of what her household, which participated in the informal marketplace events within the palace, might have to offer.
The popularity of miang in Siamese cuisine is tied to the history of two kingdoms, Siam and Lanna, and the life of one princess, Princess Dara Rasami. The daughter of King Inthawichayanon of Chiang Mai and the fifth consort of King Chulalongkorn, the princess was selected at the age of thirteen, in 1886, to serve as a consort to King Chulalongkorn in the Inner Palace; the decision was shaped by both political strategy and personal transition. At the time, Siam was consolidating its power and extending its influence over neighboring regions, including Lanna. As the ruler of Chiang Mai, Princess Dara Rasami’s father, Intawichayanon, viewed the move as a strategic alliance. In return, King Chulalongkorn presented him with the medal of the Order of Chula Chom Klao, which is the Siamese equivalent of a knighthood.
Each leaf-wrapped parcel is a kaleidoscope of flavors and richness, textures, aromas and sensations. Fresh green-earthy-chlorophyll-herby-tobacco-peppery wild betel leaves enfold bursts of flavor from nutty roasted peanuts and crispy roasted coconut matches, the umami of savory dry shrimp, pungent-sweet diced shallots, small ginger cubes with a warm bite, sour and bitter unpeeled lime cubes, citrusy perfumed diced bitter orange (som za), naughty whole fresh tiny bird’s eye chilies, and small slices of the sharp and sour dtaling bpling (Averrhoa bilimbi, a relative of the carambola/starfuit). All of which is blended with a thick paste of sweet-sour and salty palm sugar and tamarind sauce.
The miang kham takes every taste bud on a fascinating pleasure trip through sweetness, saltiness, sourness, bitterness, and umami, piquancy, sharpness and spiciness, with an array of textures that slowly subside as the journey ends, leading to a familiar post orgasmic expression, a smile and the desire for more.
Seasoned rice dishes have been a staple of rice-consuming societies almost since the first grains were cultivated. Adapted according to local resources, traditions and individual preferences, seasoned rice dishes are relished and savored across all walks of life. Within Siamese society, these dishes offer insight into the flavor instincts and eating habits across all demographics, revealing which food items were locally available and valued.
In this delicious seasoned rice recipe from the kitchens of the daughter of King Chulalongkorn, Princess Yaovabha Bongsanid (พระเจ้าบรมวงศ์เธอ พระองค์เจ้าเยาวภาพงศ์สนิท) (1884-1934), the Princess uses a variety of common preserved and inexpensive ingredients, clearly drawing inspiration from the cuisine of the Central Plains with nods to the rural and coastal living atmosphere.
If palaces represent grandeur and wealth within a society, and poems often focus on emotional experience or the beauty of language, then the significance of a dumpling may be inferred by its structured elegance and minimalism – each fold and pleat a deliberate act, and each filling a curated experience constructing comfort in its most elemental form.
Khanom khaang khaao (ขนมค้างคาว) is a traditional Siamese fried, triangular-shaped dumpling with obvious Chinese origins. Its earliest recorded recipe can be traced back to Jao Khraawk Thaawng Yuu (เจ้าครอกทองอยู่), a distinguished aristocrat from the royal court of Ayutthaya. Historical records indicate that, from the early days of the Rattanakosin era, her recipe was a favored snack within the Siamese royal court.
These dumplings are shaped like triangles and, according to some, resemble bats: For this reason, they are called khanom khaang khaao (ขนมค้างคาว) – ‘the bat’s treat’. The dumpling’s dough is made from rice and mung bean flours; its filling is prepared by combining grated coconut and shrimp meat, which are cooked together into a dense, flavorful mixture that brings out the nutty-sweet taste of the grated coconut and the savory-sweet flavors of the shrimp. Kaffir lime leaves, sliced into hair-thin juliennes, add a hint of citrus.
Yam sohm choon is a sour green mango salad served with grilled fermented shrimp paste; roughly chopped shallots; sweet pork condiment, deep-fried fluffy grilled catfish and seasoned with fish sauce, palm sugar and lime juice and topped with deep-fried dry chilies cut into small pieces.
If you follow Thai movies and TV dramas, you probably remember Sohm Choon, the adorable boy ghost character from the period romance movie Reun Mayura (1997), which was a love story between a beautiful woman and a handsome man living in different periods of time.
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