In this groundbreaking masterclass, I invite you to join me on a transformative journey through the complex world of Siamese curry paste. We’ll go beyond the culinary surface to examine the elaborate layers of cultural, philosophical and even metaphysical influences that shape the art of curry paste making. Utilizing a four-tier analytical framework, we’ll explore the concept of ‘sub-pastes’, each contributing its own set of cultural, medicinal and philosophical elements to the overall paste. This masterclass is designed to be more than an educational experience; it is a comprehensive guide for anyone who is committed to unraveling the intricate patterns hidden within curry paste and understanding their broader significance in Siamese culture.

Suan Sunandha Palace was the permanent residence of Mom Chao Sai Ladawan (HRH Princess Saisawali Phirom, พระวิมาดาเธอ หม่อมเจ้าสาย ลดาวัลย์), the Royal Consort to Rama V. In the kitchen of Suan Sunandha Palace, the Princess presided over a peak era of culinary innovation until her passing on June 24, 1929. Reflecting her practicality, the Princess’ recipes frequently incorporated the era’s common pantry ingredients in new and surprising combinations.

For example, in her boat-embarking chili relish (น้ำพริกลงเรือ; naam phrik lohng reuua), a relish still enjoyed today, the Princess pairs fermented shrimp paste chili relish with sweet pork, crispy fried fish, salted duck eggs and hairy-fruited eggplant (maeuk) (มะอึก). Another example is her gaaeng ran juaan (แกงรัญจวน) – the Princess prepares a vibrant spicy and sour soup, fragrant with the aroma of Thai basil, from the leftovers of a stir-fried beef dish and fermented shrimp paste chili relish, which she cooked together with lemongrass, shallots and garlic.

Mom Chao Sai Ladawan’s recipes, many already recreated here at Thaifoodmaster, were recorded by Princess Sadap Ladawan (เจ้าจอมหม่อมราชวงศ์สดับลดาวัลย์), a key figure in the Palace’s culinary affairs, and subsequently compiled and published by Suan Sunandha Rajabhat University in a volume dedicated to seasoned rice dishes and chili relishes.

In this dish called khaao graawp (ข้าวกรอบ), or “crispy rice” the Princess seasons cooked jasmine rice with chili jam, and adds four fried components, each highlighting a different element of the crispiness indicated by the dish’s name.

“Cracking the Culinary Code” offers an in-depth look into Hanuman’s revolutionary approach to food and his exploration into the forgotten realm of Pre-World War II Siamese cuisine. Written by Beto Ortiz for Humans Of The Kitchen, this article challenges the conventional wisdom surrounding culinary education. While culinary schools offer valuable knowledge, they often fall short in preparing aspiring chefs for the real-world challenges of the kitchen. Hanuman, believes in a more hands-on, immersive experience that goes beyond mere recipes. His teaching philosophy aims to instill a deep understanding of the ‘why’ behind each dish, encouraging students to think critically and creatively. If you’ve ever questioned the value of traditional culinary schools or yearned for a more holistic understanding of food, this article is a must-read. Dive into Hanuman’s unique layers of culinary understanding, from the ingredients to the cultural and technical aspects, and discover how you can elevate your own Thai cooking skills. Don’t miss this opportunity to unlock the secrets of Thai cuisine from a whole new perspective.

In this revealing interview, Asha Tanna sits down with Hanuman Aspler to explore his one-of-a-kind philosophy on Thai cooking. Located a mere 40 minutes from central Chiang Mai, Hanuman’s Three Trees Farm offers more than just a cooking class—it provides an education in ancient Siamese cuisine. But Hanuman isn’t interested in merely passing on recipes. Drawing from old manuscripts, he treats Thai cooking as a language with its own set of rules and syntax. His unique blend of historical understanding and hands-on practice makes his teaching style a standout in Thailand’s culinary scene. Continue reading to delve into his unique approach.

Naaw go:h, a Shan-style seasonal salad, is a dish commonly made by the Shan people during the rainy season, using freshly foraged ingredients. Consisting of shredded, cooked bamboo shoots and herbs with a glossy, earthy-like dressing, the salad reflects the moist soil from which the bamboo sprouts after the rains. The use of whole, elongated Vietnamese coriander leaves and sliced, angular young ginger leaves visually mirrors the structure of the bamboo plant.

The dressing for this salad is prepared by frying a paste in pork lard or cooking oil; the paste includes roasted dried bird’s eye chilis, roasted garlic, powdered soybean cake and salt and, occasionally, roasted shallots or a small piece of fresh turmeric are incorporated. This mixture bestows a harmonious blend of salty-spicy, rich, and nutty undertones upon the salad, complemented by a subtle yeasty essence.

A popular noodle dish originating from the Northern region of the Kingdom, khanohm jeen naam ngiaao (ขนมจีนน้ำเงี้ยว) is characterized by its light – yet profound – multi-layered broth. This hearty broth includes an assortment of proteins braised with the dried pollens of cotton tree flowers, and Northern Thai sour cherry tomatoes (มะเขือส้ม); the tomatoes infuse the broth with a subtle tartness that refreshes a full-bodied profile comprising a multitude of fermented ingredients.

The naam ngiaao broth is served over fermented rice noodles and features minced pork, and braised baby back pork ribs with their tender meat clinging to the bone. As well, there are succulent, slow-cooked whole chicken feet, and cubes of slightly bouncy, mauve-hued chicken blood cakes. Served alongside the soup are various toppings, which can include shredded cabbage, bean sprouts, chopped coriander leaves, and spring onions, while dark red chili oil and glossy, charred-fried dried bird’s eye chilies offer a fiery intensity dialed up to your preferred spiciness. In addition, I like to add wok-smoked sour cherry tomatoes and broom-like, crispy-fried dried cotton tree pollen for a surprising textural contrast.

Though the dish is often described as “Shan style”, the word ‘ngiao’ was a derogatory expression for the Shan people. As the disparaging – and outdated – label suggests, the recipe might reflect societal biases and prejudices; thus, at least from the culinary perspective, the ‘ngiao’ in the name of the dish may simply be a nod to the flavors or ingredients favored by The Shan, rather than a claim of authenticity – which could also explain why the dish is based on a Siamese curry paste.

In this dish, slices of pork belly are coated with a sticky sauce; the sauce is reduced from braising a slice of grilled salted fish with coriander roots, garlic and white peppercorns (saam gluuhr). The dish is served with a sour-leading green mango chili relish that adds tartness with fiery accents to the saltiness of the pork. The salted fish gives the pork an initial fishy aroma that, although robust, gives way to a sense of home as it merges into the sourness and fruitiness of the mango chili relish. As an ingredient commonly used in the kitchens of rice-growing communities, salted fish signifies a comforting familiarity that conveys simplicity and warmth to the table. I like to pair the salted, fishy pork with seasoned rice dishes in which sour-leading relishes are mixed with rice along with other condiments.

Discovered in a memorial book for the funeral of SubLt. Soophoht Jeungpraphaa (ร.ต. สุพจน์ จึงประภา) (1925-1966), this beef and potato curry dish unites two distinct curry styles: Massaman curry, known for its sweet and warming complexity of dry spices, punctuated by the vibrancy of bitter orange juice; and gaaeng phet (แกงเผ็ด) spicy curry, dominated by a basil herbal identity. The recipe maintains a sense of traditional elegance despite the startlingly unusual culinary fusion; as these two cooking styles are woven together, their spiced comfort, earthy warmth, citrusy freshness, and cool herbaceous notes meld in a gentle refinement. Drawing upon familiar and novel elements, this curry is both comforting and stimulating.

Massaman curry typically presents as a deep, rich dish. Its unique flavor profile is derived predominantly from a range of dry spices that point to its Persian-inspired roots in Siamese cuisine, along with a curry paste that exudes a sense of freshness. The dried chilis are roasted to deepen their color; the rest of the ingredients, such as the shallots, garlic and dry spices, are roasted too, individually, before being pounded into the paste. Conversely, the gaaeng phet (แกงเผ็ด) curry integrates dry spices more sparingly and is known for flavor qualities that are based on a phrik khing (พริกขิง) paste made of fresh aromatics and a basil herbal identity.

The word ‘miang’ is often used to designate Thai hors d’oeuvre-like snacks consisting of various ingredients wrapped in leaves. To chew on a miang parcel delivers a delightful melee of flavors and textures, each triumphing over the other in a continuous transformation, creating a captivating and ever-evolving taste experience throughout the bite.

Miang sot is a fermented leaves dish that appeared in a cookbook published in honor of Thao Suphatigaanapakdee (also known as Prik Sirisamphan) (ท้าวสุภัติการภักดี (ปริก ศิริสัมพันธ์)), in 1928. Titled Gap Khaao Thai (กับข้าวไทย), the book features a collection of recipes that were once prepared and served to King Chulalongkorn Rama V. The author, Sohmboon Sirisamphan (เถ้าแก่ สมบุญ ศิริสัมพันธ์) a respected elder (known as thao gaae (เถ้าแก่) in Thai), was a distinguished businessman of Chinese origins.

The dish is composed of fermented tea leaves; it is perhaps the closest tea leaves wrap to the ‘miang’ style introduced to the Siamese court by Princess Dara Rasami in the late 1800s. The dish gives us a glimpse of flavor of what her household, which participated in the informal marketplace events within the palace, might have to offer.

The popularity of miang in Siamese cuisine is tied to the history of two kingdoms, Siam and Lanna, and the life of one princess, Princess Dara Rasami. The daughter of King Inthawichayanon of Chiang Mai and the fifth consort of King Chulalongkorn, the princess was selected at the age of thirteen, in 1886, to serve as a consort to King Chulalongkorn in the Inner Palace; the decision was shaped by both political strategy and personal transition. At the time, Siam was consolidating its power and extending its influence over neighboring regions, including Lanna. As the ruler of Chiang Mai, Princess Dara Rasami’s father, Intawichayanon, viewed the move as a strategic alliance. In return, King Chulalongkorn presented him with the medal of the Order of Chula Chom Klao, which is the Siamese equivalent of a knighthood.

Known as muu bping sapbparoht (หมูปิ้งสัปปะรด) and translated as grilled pork with pineapple, this dish showcases cubes of grilled pork meat and firm fat with fresh pineapple. The pork meat is marinated in light soy sauce and an array of dry spices, giving it earthy and slightly spicy notes. The cubes are then threaded onto skewers, interspersed with evenly sliced pieces of firm pork fat. When grilled, these pieces of pork fat introduce an additional layer of richness and juiciness to the meat. The preferred cut of choice for this dish is pork neck, a cut highly valued for its optimal ratio of lean meat to fat, culminating in a pleasingly succulent texture when grilled.

In Thai cuisine, it is common practice to sprinkle grated coconut over glowing charcoal while grilling. The heat-induced combustion of aromatic fats within the coconut introduces an additional dimension of sweet, smoky richness to the dish. Meanwhile, the charring of the edges of the meat catalyzes the caramelization of its natural sugars, yielding a delightful sweetness that further enhances the smoky undertones of the meat.

Gaeng rawang (แกงระแวง) is a curry bearing an unusual name and contradictory accounts regarding its appearance, lineage and origins. When I cook this dish, it is a rich and thick coconut-based curry made with a paste of fresh chilies, aromatics, spices and generous amounts of fresh turmeric, which adds warmth and gives the green chili color a slightly earthier, muted tone that resonates beautifully with the duck meat.

The duck meat is prepared separately and slow-braised in coconut cream before being cooked in the curry. This slow-braising process allows the coconut cream and duck’s fattiness to melt together, resulting in moist and flavorful meat with a hint of sweetness. The curry itself is seasoned to a salty and slightly sweet flavor profile.

Faux frog salad is a rich, elegant dish featuring tender chicken braised in coconut cream and young coconut flesh with a chili-jam based dressing. Utilizing an old-fashioned salad assembly technique – the ‘mix and layer’ – this is a visually striking salad with alternating layers of reds and whites.

The name of this vintage dish – Faux Frog Salad – could be a reflection of the swinging social norms in Siam during the roaring twenties, a period of significant social change; as the country sought to navigate the challenges of modernization, Siamese society was shifting its dietary preferences away from the frog, once a common, versatile and popular ingredient. Thus, through the desire for distinction, chicken, an ingredient often compared to the taste of everything, was preferable to frog.

The name of this dish, yam naang faa yiiam haawng (ยำนางฟ้าเยี่ยมห้อง), translates to ‘Angel Visiting the Chamber Salad’ in English. This celestial salad, which originated in the 1920s, is a playful chili jam-based salad that combines the textural gradients of pomelo, with its citrusy bursts, chewy cooked pork skin, and the sweet and slightly resilient cooked shrimp meat. The pomelo’s citrusy notes are further amplified with thinly sliced lemongrass and kaffir lime leaves sliced into hair-thin juliennes. I like to adjust the sourness and sweetness of the chili jam-based dressing based on the acidity of the pomelo. As our aim is to achieve a final sour-salty and sweet flavor profile, a sour-salty dressing is suggested if the pomelo is sweet, while a salty-sweet dressing pairs better with a sour pomelo.

This Masterclass is intended to give you, the modern Thai cook, the knowledge and tools to craft better curry pastes and the ability to have full control over flavor development in your curries, allowing you to create curries that are not only rounded, gentle and intense, but are mature and yet not overworked – and that therefore present an exquisitely complex taste.

Join me as I uncover the science behind the aromatic modifications and the intricate interactions that happen inside the mortar. I aim to provide a comprehensive understanding of the complex world of pounded pastes, from the release of oils and essences to the impact of moisture and the effect of heat, oxidation and the enzymatic reactions that bring forth the paste’s unique flavor identity.

In the Central Plains of the Kingdom, fermented rice noodles are inextricably linked to a dish known as naam yaa. Composed of a dense, coconut-based minced fish curry, the dish is infused with layers of salted fish and possesses the distinctive, invigorating and purifying notes of fingerroot. Typically, naam yaa is served with fresh lemon basil as the herb of choice along with an array of side dishes collectively known as meuuat khanohm jeen (เหมือดขนมจีน). These include blanched bean sprouts seasoned with a touch of turmeric for color, fresh lemon basil leaves, thinly sliced three colored chilies, and ground chili for added heat. More elaborate versions will add blanched Chinese bitter gourd slices, batter-fried young morning glory shoots, and fresh shrimp minced and fried with its tomalley in pork lard, as well as crispy-fried shallots as the finishing touch.

This fermented rice noodle dish is served with a slow-cooked, chili-less broth made from pounded fish meat and aromatics cooked in coconut cream. Creamy in color and velvety in texture, the broth is seasoned either with fish sauce, fermented fish or salted fish according to one’s preferences. The broth is allowed to slow-cook, achieving its full richness over a couple of hours. Once ready, the broth is poured over the noodles, which are then topped with a glossy-orangey layer of minced shrimp meat fried with their tomalley in pork lard. Complementing this richness are crunchy yellowish bean sprouts blanched in turmeric-tinted water, a sprinkle of sweet, golden crispy-fried shallots and, finally, green lemon basil leaves that endow the dish with a unique, rustic herbal persona.

Among the various curries that can be poured over khanom jeen fermented rice noodles, this broth, known as Chinese-style “naam yaa,” is unique in that it is a water-based curry that does not have chilies. As such, rather than the typical reddish-rust color of most coconut-based naam ya dishes from the Central Plains of the Kingdom, the sauce glows with a soft, light ivory hue, beautifully reflecting the dish’s natural sweet-savoriness, which is derived from slow-braising three proteins – chicken, pork and shrimp – along with a curry paste galvanized by smoke-dried fish and aromatic roots like galangal, fingerroot and sand ginger. The naam ya broth is served over a bed of fermented rice noodles and garnished with toppings such as delicate pulled chicken breast threads, golden-crispy fried shallots and garlic, and vivid green fresh coriander leaves and spring onion. All these elements add a visual grace and a hint of freshness to the robust broth – the signature dish of Prince Krom Luang Pitak Montri (กรมหลวงพิทักษ์มนตรี).

With a history dating to the 7th century, gaaeng buaan (แกงบวน) is one of the oldest known Siamese dishes and a significant culinary treasure offering a fascinating glimpse into the eating habits of a bygone civilization. The dark, hunter-green broth of gaaeng buaan is replete with various large animal offal, including heart, lungs, liver, stomach and intestines. These ingredients are simmered with a brew of medicinal leaf extracts, aromatic herbs, and a rustic paste featuring roasted ingredients, along with an array of salted and fermented fish ingredients. These elements bestow the dish with a complex, savory persona holding a range of different flavor notes, depending on the specific type of leaves used. This distinctive dish reflects the Mon-Dvaravati culture, pre-dating the mid-16th-century culinary revolution precipitated by the introduction of the spicy red chili peppers that brought a red-tinted gloss to Siamese cuisine.

According to ancient medical inscriptions found at Wat Phra Chetuphon (Wat Pho), a temple in Bangkok’s Phra Nakhon district, curry dishes were once prescribed to treat various ailments. These curries were formulated with nutritious proteins, medicinal roots, and healing herbs, each possessing unique curative powers.

Gaaeng yaa (แกงยา), which translates to “medicinal curry”, is a thick water-based dish that was advised in treating a specific group of conditions collectively referred to as grasai sickness (โรคกษัย). Its broth is based on a sharp and distinctive curry paste; drawing its profound savoriness from salted fish, the dish is thickened with grilled fish meat, while wild pepper leaf gives it a long-lasting peppery-herbal aftertaste.

In this Masterclass, we explore gaaeng yaa culinary and medicinal blending theories as reflected in historic medical documents inscribed in the early 1800s but reflecting nearly five centuries of knowledge and certainly preceding the earliest Siamese cookbooks. As well, we unearth centuries-old recipes and classical methods for combining ingredients for both culinary and medicinal purposes.

In the case of gaaeng yaa, we are offered a rare and fascinating opportunity to examine dishes through manuscripts that predate the earliest Siamese cookbooks by almost a century.

In the mountainous region of Northern Thailand, the people share a profound connection with the spirits inhabiting the land, trees and rivers. This bond extends to ancestral spirits residing within their homes, providing protection and guidance to the family. It is believed that food is not only shared among the living but also with those who preceded us, bridging the gap between the natural world and the ethereal realm of the spirits.

It is in this context that yam jin gai (ยำจิ้นไก่) holds a special significance. Once a delicacy served only on special occasions, this soup-like salad has come to symbolize the enduring bond between the people of Northern Thailand and their ancestral spirits. Families pay homage to their ancestors with offerings of food, fostering a sense of unity and connection that transcends mortality and even the present; although the dish is included on the menus of many restaurants, its roots remain grounded in the spiritual landscape of the northern forests.

In the world of Siamese watery dishes, soups and curries are typically named in a straightforward manner that indicates the type of curry and the main ingredients. Some dishes, however, bore distinctive or poetic names conferred by their creators; this was particularly applicable during the Siamese neoclassical culinary period extending from the 1930s to the 1950s (ยุคหลังเปลี่ยนแปลงการปกครอง). In this era, cooks were encouraged to use local ingredients and were free to think and conceive beyond the Court’s boundaries and code of manners. This creative freedom was often expressed by bestowing vivid names on both new and existing dishes.

Thaifoodmaster is excited to present a distinctive curry recipe called gaaeng jao dtao (แกงเจ้าเต่า), a curry with a rustic flair, a neoclassical period dish originating in the kitchen of a noble family. Gaaeng jao dtao (แกงเจ้าเต่า), a sour curry of catfish featuring young tamarind leaves, fingerroot and lemon basil, was created by Lady Gleep Mahithaawn (ท่านผู้หญิงกลีบ มหิธาวรรณ) (1876-1961) and appeared in her 1949 book Recipes for Teaching Children and Grandchildren (หนังสือกับข้าวสอนลูกหลาน).

Gaaeng jao dtao (แกงเจ้าเต่า) is a dish that showcases Lady Gleep’s appreciation for vernacular cuisine while highlighting her classical training. Unlike other aristocratic cooks, Lady Gleep was able to combine two staple dishes into one: gaaeng jao dtao (แกงเจ้าเต่า) is a unique merger of a sour curry and a water-based gaaeng aawm curry (แกงอ่อม).

Mrs. Paan Nanthaathiwat (คุณปาน นันทาถิวัฒน์) (1893-1955) was known for her kitchen skills. She often cooked for friends and family, spending time in the kitchen with her best friend, Mrs. Yim Pichaiyat Bunnag (คุณยิ้ม พิชัยญาติ บุนนาค (1892-1976). Thus, it was not a surprise when in 1953 she authored a recipe book as part of her merit offering on her 60th birthday. Sadly, Mrs. Paan passed away a year later and the publication, titled Hoong Khaao Dtohm Gaaeng (หุ้งข้าวต้มแกง), was later printed as a memorial book for her funeral. In 1977, the volume was reprinted for the funeral of her best friend, Mrs. Yim.

It is unclear why Mrs. Paan named this citrusy, sour, and salty seasoned rice dish after Lord Shiva, calling it “Phra Suli (พระศุลี ; phra soolee)”. Yet I believe the name of the dish is meant to evoke the elegance and delicacy of the deity rather than to reference cultural authenticity or tradition.

Smoked duck stuffed with a mackerel and chestnut filling is a dish that defies cultural boundaries. An exemplar of blended culinary influences, featuring inviting colors and an elegant presentation that serve as a prelude to the complex flavors and textures that await, the dish is an eloquent testament to the cooking style of Mrs. Samaknantapol (Jeep Bunnag, who went by the pen name “the granddaughter of Maae Khruaa Huaa Bpaa”). In the 1930s. Mrs. Jeep Bunnag published her first cookbook. Following in the footsteps of her revered grandmother-in-law, Lady Plean Passakornrawong, she continued to document the art of Siamese cuisine through the treasured books she published and was known for her ability to merge culinary traditions into beautiful and innovative dishes that represent an era.

The rich, dark color of the smoked duck’s skin is visually striking and appetizing, evoking a sense of indulgence and luxury. The smoky flavors that permeate the meat reflect our deep connection to primal cooking techniques, a fascinating juxtaposition to the refined presentation of the dish. When the smoked duck is sliced, its succulent pink meat is revealed, surrounding the golden filling of chestnuts and mackerel.

Dating from the early 1900s, this tempting fried rice dish highlights how the Siamese aristocracy savored their golden rice, perfumed with an alluring blend of imported spices. The dish can be enjoyed on its own or as part of a larger meal featuring curries and soups.

This article explores two methods of preparing Mee Fried Rice – the traditional Khao Mee Fried Rice and the lighter, seasoned rice alternative known as khaaoﾠmeeﾠyaangﾠkhlook. Discover the flavor chemistry at play and choose your preferred method for a delicious meal.

This soup dish features crispy rice vermicelli noodles, a chicken broth that has a three-flavor profile infused with the aroma of bitter orange, and a plethora of other ingredients such as crispy fried tofu, chicken, pork, crab and pickled garlic.

In Thai, the phrase mee naam baan raat thuut refers to a rice vermicelli noodle soup in the style of the Ambassador’s house. The dish was not new when it appeared in the 1956 book Snacks, Tea Nibbles, Hors D’oeuvres and Drinking Food (ตำราอาหารว่าง – เครื่องน้ำชา และ เครื่องเคี้ยว หรือ กับแกล้ม) by Jeeb Bunnag (จีบ บุนนาค), as noodle dishes were often the preferred ingredient for light meals or snacks. In Grandparents Recipes: 100 Years Old Recipes (จานอร่อยจากปู่ย่า สูตรโบราณ 100 ปี), a volume printed in 2014 that highlights recipes from the kitchens of fifteen prominent families, a similar version of the dish is referred to as mee naam baan bpaak naai leert (หมี่น้ำบ้านปาร์คนายเลิศ) and is associated with Nai Lert.

mee graawp sohng khreuuang (หมี่กรอบทรงเครื่อง), is an exquisitely regal dish of crispy rice vermicelli. The delicate noodles strands are washed and dried, then fried to a crisp light-golden hue. They retain their brittle crunch and airy texture even after being stir-fried with a clinging sticky sauce that encases the noodles in a thin layer of sheen. This sauce, mixed into the noodles together with other ingredients such as thin slices of pickled garlic and bitter orange peel, impart the dish with a light, fresh sweet and sour, and slightly salty and citrusy glaze.

Gaaeng raawn (แกงร้อน) is a colloquial Thai term that refers to ‘hot curry’. Today, gaaeng raawn is used to denote soups or curries served with steamed rice. While the precise origin of the term is unclear, gaaeng raawn (แกงร้อน) was deployed in the 1800s for a specific dish – a Siamese soup featuring glass noodles, cooked as either a coconut or a water-based soup with an assortment of dry ingredients revered in Chinese cuisine. The soup’s potential health benefits, combined with its ease of preparation and subtle yet profound flavor, made it a popular choice for entertaining large groups of people, of all ages and backgrounds. The soup is often augmented with fresh proteins: in its more luxurious versions, multiple proteins may be added, including a combination of chicken, pork, shrimp, squid, and crab meat. Thus, over the years, gaaeng raawn (แกงร้อน) was established as a staple source of comfort and warmth for people of all walks of life in Siamese society.

When it comes to pairing fruits with meats in savory dishes, it’s hard to match the bold tangy-luscious combination of apples and prunes in this old-fashioned coconut-based spicy curry with braised duck. The dish is seasoned to a spicy, salty, and sour-sweet flavor profile, which is further intensified by the prunes’ subtle nectareous, savory-sweetness and the apples’ fruity, sweet-tartness. This curry is a perfect example of how fruits can complement the already complex and profound aromatic relationships between meaty-savory flavors, the curry paste’s aromatic identity, and the dish’s herbal character of Thai basil and fresh peppercorns – creating a most memorable flavor impression.

Grapes have long been associated with prosperity, fertility and abundance across various cultures and historical periods due to the fruit’s large clusters and bountiful growth. In ancient China, grapes were considered a symbol of wealth and nobility, and often deployed as a status symbol among the elite. In Greek mythology, Dionysus, the god of wine and fertility, was often depicted holding a bunch of grapes, further emphasizing the connection between grapes and abundance. This association is also likely rooted in the fact that grapes were a valuable crop in antiquity – used to produce wine and other fermented products, and an important source of food and nutrition. In Indian Ayurvedic texts, grapes are referred to as vineaksha and utilized in treating a variety of ailments, including fever and indigestion.

From the Siamese perspective, the incorporation of fruits in culinary preparations was viewed as a luxurious indulgence, as many fruits commonly available today were once difficult to obtain. Thus the pairing of an extravagant ingredient – such as fruit – with an equally opulent and exclusive delicacy like roasted duck resulted in a dish fit for royalty.

The hairy-fruited eggplant, known as ‘maeuk’ in Thai, is similar to the tomato in its unique confluence of sweetness, fruitiness, and savoriness. This ingredient is used in a wide range of Siamese dishes, including curries, salads, relishes, and seasoned rice dishes. This recipe, from the central region of Thailand, is a traditional duck khuaa sohm curry (แกงคั่วส้มเป็ด) that commonly uses garden ingredients to achieve sourness, including the madan (garcinia schomburgkiana) (มะดัน), the sour bilimbi fruit (averrhoa bilimbi) (ตะลิงปลิง), and the hairy-fruited eggplant.

Duck meat is flavorful, hearty and full-bodied but, to create sumptuous curries, Siamese cooks first had to master the art of deodorizing the meat’s fatty, gamey aroma. In traditional Siamese cuisine, gaaeng phet (แกงเผ็ด) and gaaeng khuaa sohm (แกงคั่วส้ม) are two coconut-based curry styles that frequently include duck as the main protein. Each cooking style complements the duck meat differently: gaaeng khuaa sohm pairs the duck with sweet and sour fruits, while gaaeng phet uses a blend of carefully chosen dry spices.

This masterclass presents a unique opportunity to delve into the taste awareness and culinary trends of a bygone era, and gain a deeper understanding and appreciation of traditional Siamese duck curries. By studying recipes found in some of the most reputable and trustworthy Siamese cookbooks from the early 1900s and by drawing on the teachings and personal cooking style of the authors – some of the greatest culinary masters of their time – participants will gain insight into the history and flavors of these dishes. As the culinary world continues to evolve, it is important for anyone who cooks Thai food to be attentive to the broader, more nuanced aromatic patterns conveyed by these recipes, so they may cook and imbue these dishes with a sense of longing for what their creators had envisioned.

In Anglo-Indian cuisine, potatoes were used liberally in the curries; alongside the favorite sour chutneys, curries were also accompanied by fried, baked, boiled or mashed potatoes. Although the potato gradually found its way into many iconic Indian dishes, and even into Siamese cuisine, the tuber never replaced the rice of South Asia, despite the intentions of both the British and East Indian company officials.

In the 1935 book Sai Yaowapa (ตำรับสายเยาวภา), Princess Yaovabha Bongsanid (พระเจ้าบรมวงศ์เธอ พระองค์เจ้าเยาวภาพงศ์สนิท) reflects the Anglo-Indian style gaaeng garee in her composition of bitter orange-fragrant beef gaaeng garee, which she serves in individual bowls made of fried potatoes, per a recipe recorded by M.L. Terb Gamphu (ม.ล. เติบ กำภู) and M.R. Tuang Sanitwong (ม.ร.ว.เตื้อง สนิทวงศ์).

I discovered this unusual curry recipe hidden in a 1970 memorial book for Ms. Bootree Gralaksa. Born in Bangkok in 1898, Ms. Bootree spent her entire life, from childhood on, in a wooden house on Maha Chak Road (Pra Nakorn). One could say that she was born to be a great cook; just fourteen years old when her mother died, Ms. Bootree became the sole caregiver for her four siblings, a duty that she performed with a love and attention that endowed her with remarkable cooking skills. Her memorial book showcases now-forgotten dishes that were popular in the Bangkok of the early 1900s, such as Beautiful Curry (แกงหงษา ; Gaaeng Hohng Saa), and also includes some of her one-of-a-kind culinary creations – such as this dish, which she dubbed “Chiang Mai-Style Spicy Curry”.

In this old-fashioned coconut-based curry, orangey shrimp and bright green cucumber shine in a golden haze of curry powder, caressed by the light breeze of Indian flare. Cucumbers are used in traditional Ayurvedic medicine as a coolant, to offset internal heat and to resolve fevers. Thus, like a refreshing oasis in the middle of a shimmering desert, the cucumber counterbalances the chili’s internal heat energy and mellows the fragrant, earthy undertones of the spice blend in the dish.

Gaaeng naawk maaw is a light and refreshing soup served at room temperature. The ingredients are meticulously sliced as if for a salad, placed in a serving bowl, and covered with a salty and naturally sweet shrimp broth. At the table, diners can adjust the soup to their preferred flavor profile using granulated sugar, lime juice, or pickled garlic brine; hence the name – gaaeng naawk maaw – which literally means “a curry dish outside the pot” or “to cook curry outside the pot”. (Note: The word gaaeng (แกง) in Thai is both a verb and a noun).

Over the centuries, the Siamese culinary identity was shaped by foreign influences, absorbing and reflecting the culinary codes and gastronomy cultures of neighboring countries with more sophisticated gastronomic traditions such as Jambudvipa (India) and China. Then, on April 18, 1855, the Bowring Treaty was signed. This agreement between the British Empire and the Kingdom of Siam liberalized foreign trade in the Kingdom, opening Siam to the western world, Indian labor, opium – and curry powder.

Siamese cuisine is precise in terms of the aromatic profile of its curries, relying on complex pastes that contain a large number of aromatics, both fresh and dried. The culinary literature is rife with efforts to understand how to gauge the magical ratios for Siamese curry pastes, which are the secret behind the complexity of the curries.

Conversely, the Anglo-Indian cuisine favored dishes with a low body of heat, diluted broths, and a washed, singular aromatic profile. The curry powder condensed the entire diversity of the Indian subcontinent’s cuisine into a single blend of spices that could be stored in a bottle – a one-stop solution for the curry needs of the English. Their growing infatuation with curry powder-based curries, along with the flourishing foreign trade and the importance of Indian labor in the empire economy, resulted in the introduction of curry powder worldwide. Curry powder eventually became a timeless symbol of Anglo-Indian cuisine, much like the Taj Mahal was the symbol of undying love.

The Siamese aristocracy also hurried to embrace the curry powder; after all, it was a spice mix said to be imbued with the most authentic fragrances of Indian curries, transported directly from the civilized world.

This chapter examines the dishes created along this culinary suture line, where the two different cooking styles interact.

This Masterclass explores the path of Jungle dishes from their first appearance in Siamese culinary literature, investigates their characteristics from the standpoint of the nobility, and investigates the emergence and culture of jungle restaurants.

This is my take on the famous jungle curry from the Saen Tung district in Trat province. In Trat it is usually cooked with game meat and thinly sliced pineapple shoots (แขนงสับปะรด).

This recipe is adapted from a recipe I obtained from a jungle food restaurant in Kanchanaburi province. The paste is a downgrade of a phrik khing paste – it omits the coriander roots and shallots. In addition, the recipe substitutes the fermented shrimp paste (kapi) with maawn fermented fish paste (กะปิมอญ; gabpi maawn), which is a popular ingredient among the Mon-Burmese population of the western province. The lack of shallots eliminates any sweetness that might impair the sharpness and heat of the dish. Furthermore, a double hit of citrus notes from holy basil are infused into the dish: from the holy basil flowers added to the paste and the holy basil leaves added to the curry.

This is a coconut-based jungle curry of catfish featuring fresh green chilies, sand ginger and an upcountry herbal charm.